Antonio di Jacopo Benci, llamado Antonio Pollaiuolo ( Florencia, 17 de enero de 1432 o 1433 – Roma, 4 de febrero de 1498 ), también conocido como Antonio del Pollaiolo o Antonio Pollaiolo, fue un pintor, escultor, orfebre y grabador cuatrocentista italiano, que asimismo perfeccionó el arte del esmaltado . Índice 1 Semblanza 2 Obras

From Simple English Wikipedia, the free encyclopedia Antonio del Pollaiuolo (17 January 1429 – 4 February 1498), also known as Antonio di Jacopo Pollaiuolo or Antonio Pollaiolo was an Italian 15th century painter. He painted The Martyrdom of St. Sebastian (1475, oil on poplar). The painting is at The National Gallery in Trafalgar Square, London.

Antonio del Pollaiolo of Pollaiuolo, eigenlijke naam Antonio di Jacopo d’Antonio Benci, ( Florence, 17 januari 1431 / 1432 – Rome, 1498) was een Italiaans kunstschilder, beeldhouwer, graveur en goudsmid tijdens de Italiaanse renaissance. Hij was onder andere in dienst van de invloedrijke familie de' Medici . Inhoud 1 Levensloop 2 Werken

Antonio Pollaiuolo — ou Antonio del Pollaiuolo, aussi connu sous les noms de Antonio di Jacopo Pollaiuolo ou Antonio Pollaiolo [1] —, né Antonio Benci à Florence le 17 janvier 1429 et mort à Rome le 4 février 1498 (à 69 ans), est un peintre, sculpteur, graveur et orfèvre italien de la Renaissance.Il est notamment célèbre pour sa gravure Combat d'hommes nus.

Antonio del Pollaiuolo Antonio del Pollaiuolo, cunoscut și ca Antonio del Pollaiolo, Antonio Benci sau cu numele său complet Piero di Jacopo d'Antonio Benci (n. 17 ianuarie 1429, Florența, Republica Florentină ⁠ (d) – d. 4 februarie 1498, Roma, Statele Papale) a fost un pictor, sculptor și orfevru (aurar) italian.

Charity is a 1469 oil on panel painting by Piero del Pollaiuolo, now in the Uffizi in Florence. History Florence's Tribunale della Mercanzia (the body overseeing all the city's guilds) commissioned the artist to paint seven works portraying the cardinal virtues in a contract dated 18 August 1469.

Apollo and Daphne is a c.1470–1480 oil on panel painting, attributed to Piero del Pollaiuolo and/or his brother Antonio).William Coningham acquired it in Rome in 1845 and in 1876 Wynne Ellis left it to the National Gallery, London, where it still hangs. It shows Daphne's transformation into a laurel tree to escape Apollo in Ovid's Metamorphoses.. Its choice of wood as a support …